Clitoris, Dream Interpretation


Dreams of a clitoris symbolize your ability to give and receive pleasure, a desire for creative stimulation, and sexual expression. See Sex and Vagina.



Clitoris | Dream Meanings

Keywords of this dream: Clitoris

A Guide to Dreams and Sleep Experiences

The male within the female, shown as a man in a woman’s dreams. Physically a woman is predominantly fe­male, but also has a clitoris and produces some male hor­mones. Psychologically, we may only express part of our po­tential in everyday life. In a woman, the more physically dynamic, intellectual and socially challenging side of herself may be given less expression. Apart from this, some features, such as innovation and creative rational thought, may be held in latency. These secondary or latent characteristics are de­picted by the male in female dreams. In general we can say the man represents the woman’s mental and social power, her ability to act creatively in ‘the world’. It also holds in it an expression of her complex of feelings about men, gained as experience mostly from her relationship with—or lack of— father, but also from a synthesis of all her male contacts. So the whole realm of her expenence of the male can be repre­sented by the man in her dream, and is accessible through the image.

Good relationship with or marrying the man: shows the woman integrating her own ability to be independent and capable in outwardly active terms. This makes her more whole, balancing her ‘female’ qualities. It also shows the woman meeting her experience of her father in a healing way. This enables the woman to have a realistic relationship with an actual man. It also bnngs a sense of connectedness be­tween her conscious self and what she senses as the ‘commer­cial’ world. See father in this entry.

To be in conflict with the man, or unable to make real physical and pleasurable contact with him: suggests difficulty in meeting what may have been a painful or threatening expe­rience of father. This can lead to lack of ability to make clear judgments, and lack of decisiveness in areas outside feeling values. She is prone to acceptance of collective or long held social norms without question; family or national attitudes not applicable to present situations; and reasoning’ which actu­ally arises out of emotions connected to such family or social norms. Actual relations with men will be difficult, or entered into simply as a duty. Emotional or intimate merging with a man is threatening because it brings the woman close to the conflicts and pain connected with father. Sex may be possible but not a close feeling union. See man.

Christ Although people generally think of Christ as a histori­cal figure, in dreams Christ is not this at all. He is a powerful process in the human unconscious. In the west we give this process the name of Christ, but the process or archetype is universal and has various names in different cultures. Some­times represented in dreams as a fish or a big man, in general the Christ is an expression of the dreamer’s own potential— what they can become in their life. But it also depicts what might be called a sense of the forces of symbiosis or co­operative activity operative in human life and the cosmos. There are at least four aspects to Chrisi as depicted in dreams.

The Sunday school or Church Christ: depicts social norms, the generally accepted morals and social rules. This Christ’ comes about because the Church tends to represent tradi­tional values, and also the attempt to press people to live these values.

The dreamer may have a childlike relationship with this Christ or, if attempting to be self responsible, be in con­flict with it. Some people find this Christ has a castrating role in their life, and flee in horror. In fact this aspect of social indoctrination may lead to such a burden of guilt and sup­pression that it can create psychic cripples. Trying to do all the right’ things may lead us to the point where ‘we can’t say no to a glass of water without a pang of guilt*. Two of the great forces which push at the human soul or psyche are social pressure, such as the moral norm, and biological pressures, such as the sex drive, individuals may fight a lifelong battle with one or the other of these.

The social cnminal typifies battle with the first; the ascetic, battle with the second.

The ideal Christ: the psychological process which causes us not to take responsibility for our own highest ideals; our own yearnings for the good, our own most powerful urges arising against what we see as evils in the world. This influ­ences us to wait for a sign from Christ in our dream in order to gain authority, or to overcome the anxiety associated with the drive. We want God to say we should act in a cenain way because we are not willing to be self responsible. Example: I stood outside a castle. It was closed and guarded by soldiers in armour. Wondering how to get in I thought that if I dressed and acted as a soldier I would be allowed entrance. It worked and inside Christ met me and said he had important work for me to do’ (Sonia).

The closely guarded secret is Soma’s own impulse to do some son of socially creative work. She doesn’t want to acknowledge the impulse as her own; it is much easier if she can say ‘Christ told me to do this’. In this way she avoids direct encounter with opposition.

The unofficial Chnst. Example: A fierce battle was raging with bullets flying. I immediately fell down and played “dead”. It wasn’t that I was hurt in any way, but I didn’t want to be at any risk in the fight. As I lay there, I saw a tall well built man in soldier’s uniform walk to me. He gave no sign of any fear concerning the bullets, and quietly knelt beside me. I felt he was Christ, but was confused by him being a soldier. He placed a hand on my back and gradually worked his fin­gers under the shell of a large limpet type creature that I had never before known was parasitically attached to my back. I could feel him pull it away, but knew its tentacles still ran right into my chest. He then sat me up and told me how I could rid myself of the tentacles and so be healed’ (Peter Y).

Peter had a debilitating psychosomatic illness at the time of the dream, causing pain where the tentacles ran.

The shell is his defence against feeling his own hurts and inner conflicts.

The dream shows him contacting a strength which is not afraid of his internal battlefield of conflicts, and can show ways of healing real human problems.

The healing rests upon the dreamer’s conscious action, not Christ’s, suggesting the dreamer taking responsibility for his own situation. Peter real­ised he had been avoiding his own internal battlefield, but felt he had met a strength which would support his efforts to find healing. In fact he met his conflicts and grew beyond his ailments. Peter’s conflicts were between his love for his chil­dren and his sexuality. This Christ is our undammed life; the flood of loving sexuality; the strength to burst through social rules and regulations because love of life pushes us. It doesn’t give a hang about bullets, death, nght or wrong, because it has a sense of its own integral existence within life, and its own lightness and place in eternity.

The integral or cosmic Christ. Example: ‘I am a journalist reponing on the return of Christ. He is expected on a paddle steamer going upstream on a large river. I am very sceptical and watch disciples and followers gather on the rear deck.

The guru arrives, dressed in simple white robes. He has long, beautiful auburn hair and beard, and a gentle wise face. He begins to tap a simple rhythm on a tabla or Indian drum. It develops into complex intermingling of orchestral rhythms as everyone joins in. I now realise he is Christ, and feel over­whelmed with awe as I try to play my part in the music. I’m tapping with a pen and find myself fumbling.

A bottle or can opener comes to me from the direction of Christ. I try to beat a complementary rhythm, a small pan of a greater, universal music’ (Lester S).

Each of us has a sense of connectedness with the whole, with the cosmos. We may be little aware of this sense, our scepticism may deny it, as Lester’s was doing. But finding it can enrich the rest of our nature.

The sense bnngs with it a realisation of taking part in the unimaginably grand drama called life. It gives a feeling, no matter what the state of our body, crippled or healthy, that we have something that makes any faults in body or achievement insignificant. It doesn’t take all the difficulties out of life, but it is a good companion on the way. In dreams and religion Christ is also represented as the son of the Cosmos or God. This aspect of Christ is cosmic, from beyond the Earth. This is a process in the cosmos which the unconscious senses and presents under the image of Christ, or other figures in different religions. It is possible that there is an innate process in human beings to do with love and symbiosis which humanity became aware of at a particu­lar stage in the development of consciousness. This becoming aware was expressed in what we know as the histoncal Jesus. See religion and dreams; the self within this entry. ... A Guide to Dreams and Sleep Experiences

Little Giant Encyclopedia

Connected to nature. All Berries have a sexual connotation (clitoris).

Folklore: Bad omen because of the dark color.... Little Giant Encyclopedia

Little Giant Encyclopedia

See Mandala and Time.

According to Freud, the clock is a symbol of menstruation, because it measures cyclical periods.

The ticking of the clock, also according to Freud, corresponds to the pulse of the clitoris during sexual excitation. Is it possible to transfer this meaning to the rhythmical impulses of a Quartz watch.7... Little Giant Encyclopedia

A Guide to Dreams and Sleep Experiences

Example: ‘1 ran down very dark streets, like a maze, and could not find a way out of them’ (Mrs N). Darkness has many meanings, depending on what else appears in the dream. In the example the feeling is of being lost and trapped in depressing feelings.

What is unknown; not defined by the intellect or conscious self; unconscious; depression; confusing, terrifying; secrets we hide from self or others; things we do under cover of dark­ness’; age; the womb, death.

The following dream depicts particular aspects of darkness. Example: ‘It was a festival in this strange world, in which everything had a rather dark, dilapidated look’ (Tom). Dark here is ancient, things dating from times past. This may refer to our sense of our own child­hood which feels like the ancient past, or to our unconscious knowledge of family and cultural attitudes and experience. In general the ‘strange’ world of the unconscious or sleep.

Example: ‘I was overwhelmed by terror, as if the very dark­ness of the tunnel was a living force of fear which entered and consumed me. I screamed and screamed, writhing in uncon­trollable fit-like contractions. Nevertheless a part of me was observing what was happening and was amazed, realising I had found something of great importance’ (Andrew P). Be­cause the dreamer explored this dream with me, I know the darkness was depicting fear Andrew experienced while a nine year old in hospital. He was given a rectal anaesthetic because he was about to have a nose operation. He fought and begged for the nurses to stop, but to no avail. This led to a very real feeling that humans were terrifyingly dangerous animals who would not respond even if you were on your knees begging. So trauma was the fear in the darkness. Darkness here is the unconscious area of experience.

Example: ‘I am back in time looking at an old cottage. I see the windows, walls and doors, everything about the place. It is dark and old and warm. I see the curtains and bedrooms, all the ornaments and I feel safe and comfortable’ (Mrs R). Here dark is comfortable, perhaps because it is undemanding, one is not in any glare of attention or activity. It is the relaxed quiet of evening. This woman has a relaxed relationship with her unconscious.

Example: ‘I met a woman I know in a long, dark under­ground tunnel. She was waiting for me. We had sexual inter­course. She had a very formed vagina mouth, and a very large clitoris, like a small penis. I masturbated this’ (Norman). Nor­man has no fear of the tunnel. It is his secret desire and pleasure which he admits to no one, often not even to himself. Dark here is one’s secret self.

Dark water: emotions which are felt and powerful but have not been defined or their source understood. Dark colours: feelings emanating from unconscious sources; depressed or unhappy feelings. Idioms: a dark horse; in the dark; keep it dark. See night under day and night. ... A Guide to Dreams and Sleep Experiences

Little Giant Encyclopedia

Female sexual symbol (clitoris). Easily irritated, or positive sensitivity (as in the fairy tale “The Princess and the Pea”). In another fairy tale is the incident of “counting peas,” which could mean either pettiness and being a stickler for details or being precise and careful when dealing with small items.

Folklore: The promise of happiness, only—be patient!... Little Giant Encyclopedia

Little Giant Encyclopedia

A symbol of the mature soul and completeness of the emotional experience. Also a female sexual symbol (clitoris), and a general symbol of women, loved ones, something precious and complete. Pearl also refers to domestic help and “the good soul.” If a pearl necklace breaks, trouble and worries due to a loss.

Folklore: Happy marriage.... Little Giant Encyclopedia

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