Because descriptions are often figurative, they need to be researched for clarity
If one sees Him in His glory and majesty, without descriptive designation, without ascription of human characteristics to Him and without depiction or portrayal in the dream, it is an indication of glad tidings for both this world and the hereafter. These blessings also may continue to affect the lives of one’s progeny. Ifone sees Him otherwise in a dream, it means confusion, and particularly if the Almighty Lord does not address him.
If an ailing person sees Him in a dream, it means that he will soon die and come to meet Him. Ifa straying soul sees God Almighty in a dream, it will find guidance. Ifan oppressed person sees Him, it means that justice will prevail and he will triumph over his oppressors. HearingGod’s words without designation represents the imagination of the person in the dream. Perhaps hearing His words in a dream appeases one’s heart and increases the person’s drive for success. Hearing God’s words without seeing Him represents the rising of one’s station.
If one receives revelations from behind a veil in a dream, it means mental confusion and innovation. This is most true if a messenger comes in one’s dream and describes the one who spoke as God. In this case, the dream is a nightmare, because God Almighty cannot be depicted according to human descriptions.
If one sees a picture of God in his dream, it means that he is a liar who ascribes images to God Almighty that do not befit His Majesty and Glory.
If one hears God Almighty talking to him directly and if he can focus at Him in the dream, it means that he will be encompassed with God’s mercy and blessings. Ifone sees God Almighty in a dream, it means that he will look at His Divine countenance in the hereafter. Seeing God Almighty seated on the Divine Throne in a dream means elevation of one’s rank, knowledge and increase in his wealth.
If one sees himself running away to hide from God Almighty in a dream, it means that he will change the course of his devotion into heedlessness. Seeing a veil separating between the servant and his Lord in a dream means that one will commit major sins and abominable actions.
If one sees his Lord frowning at him, whereby he could not bear the effulgence of God’s light, or ifhe is seized by a shock and immediately commences to repent and pray for forgiveness in the dream, it means that such a person is indulging in abominable actions, and that he is a despicable sinner who follows his own mind and desires, and that he is an innovator of religious thoughts who misleads the people.
If one hears God Almighty talking to him in a dream, it represents an admonition and a warning to abstain from sin.
If one hears God Almighty talking to him in a dream, it also means that one is more assiduous in his recital of the Qur’iin. Ifone hears God Almighty talking to him with words he cannot understand, then if He anoints him and blesses him in the dream, it means that God Almighty will bringhim nigh unto Himselfand exalt his station.
If one sees God Almighty in a form resembling one’s father, a brother or a relative and showing His kindness or blessing him in a dream, it means that he will be afflicted with a calamity and a major illness.
If a righteous person sees himself standing before God Almighty in reverence and filled with awe in a dream, it means that mercy will encompass him and help him to further his growth.
The same interpretation applies if one sees himself prostrating before Him.
If God Almighty speaks to someone from behind a veil in a dream, it can also represent a good worshipper, but if the Divine address takes place without a veil in the dream, it means falling into sin.
If God Almighty names someone in his dream with his birth name, then adds another title to it, it means rising in station and rank.
If one sees God Almighty angry with him in a dream; it means that his parents are displeased with him. This description includes seeing oneself falling from the skies or from the top of a mountain.
If a devoted servant sees God Almighty kissing him in a dream, it applies to his growing devotion and reward. Fearing God Almighty in a dream reflects eminence, peacefulness, quiescence, wealth of being and disregard for material needs. (Also see Carriers of the Divine Throne; Divine Throne; Educator; God’s will; King)... Islamic Dream Interpretation
For the lay dreamer it is more useful to put dreams into much broader categories such as psychological. ESP, body, sexual, spiritual and problem solving. In researching the data for this book, some special cluster of dream themes were noticed.
For instance a cluster was noted in women past middle age, they dreamt of walking in a town and losing their husband. Description of these clusters can be seen in son and husband under family; losing teeth under body; flying; secret room under house; dead people; individuation. See also dream as meeting place; dream as spiritual guide; dream as therapist and healer; sex in dreams; ESP in dreams. ... A Guide to Dreams and Sleep Experiences
A wrong phone connection: you are being played for a fool, or the person you tried to call wants nothing to do with you. See Telephone.
Depth Psychology: The motto: *two heads are better than one” is an apt description here. But the dream means to reconcile and correct your different character traits. Sometimes the dream might be a warning against false friends—if the connection was ubad.w... Dreamers Dictionary
A strong desire to have the inner world connect with the real world seems to be the motivation. This may be through a need for human life to have meaning and connection with a wider, invisible, life.
The evidence of thousands of dreams suggests that searching for meaning in this direction is misplaced. Meaning arises from a love or acceptance of the many aspects of oneself, and thus the expansion of awareness into what was unconscious. While there may be valid cases of dcjd vu, they are rare. ... A Guide to Dreams and Sleep Experiences
If one succeeds in touching the feelings and memories usually connected with a dream image, this becomes apparent because of the depth of insight and experience which arises. Although ideally the Freudian analyst helps the client discover their own experience of their dream, it can occur that the analyst puts to the client readymade views of the dream. Out of this has occurred the idea of someone else ‘analysing or telling us about our dream.
Carl Jung used a different approach. He applied amplification (see entry), helped the client explore their associations, used active imagination (see entry) and stuck to the structure of the dream. Because amplification also put to the client the information and experience of the therapist, again the dreamwork can be largely verbal and intellectual, rather than experiential.
In the approach of Fritz Perls (gestalt therapy) and Moreno (psychodrama), dream analysis is almost entirely experiential.
The person exploring the dream acts out or verbalises each role or aspect of the dream.
If one dreamt of a house, in gestalt one might stan by saying I am a house’ and then go on to describe oneself just as one is as the particular house in the dream. It is important, even if the house were one existing externally, not to attempt a description of the external house, but to stay with the house as it was in the dream. This is like amplification, except the client gives all the information. This can be a very dramatic and emotional experience because we begin consciously to touch the immense realms of experience usually hidden behind the image. When successful this leads to personal insights into behaviour and creativity. See dream processing; amplification; gestalt dream work.
dream as a meeting place Any two people, or group of people who share their dreams, particularly if they explore the associated feelings and thoughts connected with the dream images, achieve social intimacy quickly. Whether it is a family sharing their dreams, or two fnends, an environment can be created in which the most profound feelings, painful and wonderful, can be allowed. Such exposure of the usually private areas of one s feelings and fears often presents new information to the dreamer, and also allows ventilation of what may never have been consciously expressed before. In doing so a healing release is reached, but also greater self understanding and the opportunity to think over or reconsider what is discovered.
Herbert Reed, editor of the dream magazine Sundance, and resident in Virginia Beach, Va., initiated group dreaming experiments. It started because Reed noticed that in the dream groups he was running, when one of the group aired a problem, other members would subsequently dream about that person’s problem. He went on to suggest the group should attempt this purposely and the resulting dreams shared to see if they helped the person with the problem.
The reported dreams often formed a more detailed view of the person’s situation. In one instance the group experienced many dream images of water. It aided the woman who was seeking help to admit she had a phobia of water and to begin thinking about learning to swim. In another experiment, a woman presented the problem of indecision about what college to transfer to and what to study. Her group subsequently said they were confused because they had not dreamt about school. Several had dreams about illicit sex. though, which led the woman to admit she was having an affair with a married man. She went on to realise that it was the affair which was underlying her indecision. She chose to end the affair and further her career.
Whatever may be underlying the results of Reed’s expen- ments, it is noticeably helpful to use the basic principles he is working with. They can be used by two people equally as well as a group—by a parent and child, wife and husband, businessman and employee. One sets out to dream about each other through mutual agreement. Like any undertaking, the involvement, and therefore the results, are much more pronounced if there is an issue of reasonable importance behind the experiment. It helps if one imagines that during sleep you are going to meet each other to consider what is happening between you. Then sleep, and on waking take time to recall any dream. Note it down, even if it seems far removed from what you expected. Then explore its content using the techniques in dream processing.
Example: My wife and I decided to attempt to meet in our dreams. I dreamt I was in a room similar to the back bedroom of my previous marnage. My present wife was with me. She asked me to help her move the wardrobe. It reminded me of, but did not look like, the one which had been in that bedroom. I stood with my back to it, and reached my hands up to press on the top, inside. In this way I carried it to another wall. As I put it down the wood broke. I felt it ought to be thrown away’ (Thomas B). Thomas explored the dream and found he connected feelings about his first marriage with the wardrobe and bedroom. In fact the shabby wardrobe was Tom’s feelings of shabbiness at having divorced his first wife. In his first marriage, represented by the bedroom, he always felt he was married for life. In divorcing, he had done something he didn’t like and was carrying it about with him. He says ‘1 am carrying this feeling of shabbiness and second best into my present relationship, and I need to get rid of it.’
dream as a spiritual guide Dreams have always been connected with the spiritual side of human experience, even though today many spiritual leaders disagree with consideration of dreams. Because dreams put the dreamer in touch with the source of their own internal wisdom and certainty, some conflict has existed between authoritative priesthood and public dreaming.
A lay person finding their own approach to God in a dream might question the authority of the priests. No doubt people frequently made up dreams about God in order to be listened to. Nevertheless, despite opposition, Matthew still dreamt of an angel appearing to him, Joseph was still warned by God to move Jesus; Peter still dreamt his dream of the unclean animals.
The modern scientific approach has placed large question marks against the concept of the human spirit. Study of the brain’s functions and biochemical activities have led to a sense of human personality being wholly a series of biological and biochemical events.
The results of this in the relationship between doctor and patient, psychiatrist and client, sometimes results in the communication of human personality being of little consequence. It may not be put into words, but the intimation is that if one is depressed it is a biochemical problem or a brain malfunction.
If one is withdrawn or autistic, it is not that there is a vital centre of personality which has for some reason chosen to avoid contact, but that a biochemical or physiological problem is the cause—it’s nothing personal, take this pill (to change the biochemistry, because you are not really a person). Of course we have to accept that human personality must sometimes face the tragedy of biochemical malfunction, but we also need to accept that biochemical and physiological process can be changed by human will and courage.
In attempting to find what the human spirit is by looking at dreams, creativity stands out.
The spiritual nature may not be what we have traditionally considered it to be.
An overview of dreams and how dreamers relate to them suggests one amazing fact. Let us call it the ‘seashell effect’. When we hear sounds in a shell that we hold to our ear, the noises heard seem exterior to oneself, yet they are most likely amplification of sounds created in our own ear, perhaps by the passage of blood. Imagine an electronic arcade machine which the player could sit in and, when running, the player could be engulfed in images, sounds, smell and sensation. At first there is shimmering darkness, then a sound, and lights move. Is it a face seen, or a creature. Like Rorschach’s ink blots, the person creates figures and scenes out of the shapeless light and sound.
A devil appears which terrifies the player. People, demons, animals, God and angels appear and fade. Scenes are clearcut or a maelstrom of movement and ill-defined activity. Events arise showing every and any aspect of human experience. Nothing is impossible.
If, on stepping out, we told the player that what occurred was all their own creation due to unconscious feelings, fears, habits, thoughts and physiological processes occurring within them, like the seashell effect, they might say ‘Good God, is that all it was, and I thought it was real. What a waste of time.’
Whether we can accept it or not, as a species we have created out of our own longings, fears, pain and perhaps vision, God, with many different names—politics, money, devils, nationalism, angels, an, and so on and on. All of it has flowed out of us. Perhaps we even deny we are the authors of the Bible, wars, social environments. Responsibility is difficult. It is easier to believe the source is outside oneself. And if we do take responsibility for our amazing creativity, we may feel ‘is that all it is—me?’ Yet out of such things, such fears, such drives, such unconscious patterns as we shape our dreams with, we shape our life and fonune, we shape our children, we shape the world and our future.
The shadow of fear we create in our dream, the situation of aloneness and anger, becomes a pattern of feelings, real in its world of mind. We create a monster, a Djinn, a devil, which then haunts and influences us. Or with feelings of hope, of purposiveness and love, create other forces in us and the world. But we are the creator. We are in no way separate from the forces which create our existence. We are those creative forces. In the deepest sense, not just as an ego, we create ourselves, and we go on creating ourselves. We are the God humanity has looked so long for.
The second aspect of the human spirit demonstrated by dreams is consciousness.
The unconscious mind, if its function is not clogged with a backlog of undealt with painful childhood experience and nonfunctional premises, has a propensity to form gestalts. It takes pieces of experience and fits them together to form a whole. This is illustrated by how we form gestalts when viewing newsprint photographs, which are made up of many small dots. Our mind fits them together and sees them as a whole, giving meaning where there are only dots. When the human mind is working well, when the individual can face a wide range of emotions, from fear and pain to ecstasy, this process of forming gestalts can operate very creatively. This is because it needs conscious involvement, and if the personality is frightened of deep feeling, the uniting of deeply infantile and often disturbing cxpcrience is cut out. Yet these areas are very rich mines of information, containing our most fundamental learning.
If the process is working well, then one’s expenence is gradually transformed into insights which transcend and thereby transform one s personal life.
For instance, we have witnessed our own binh in some manner, we also see many others appeanng as babies. We see people ageing, dying. We see millions of events in our life and in others.
The unconscious, deeply versed in imagery, ritual and body language, out of which it creates its dreams, picks up information from music, architecture, traditional rituals, people walking in the street, the unspoken world of parental influence.
The sources are massive, unbelievable. And out of it all our mind creates meaning. Like a process of placing face over face over face until a composite face is formed, a synthesis of all the faces; so the unconscious scans all this information and creates a world view, a concept of life and death.
The archetypes Jung talks of are perhaps the resulting synthesis of our own expenence, reaching points others have met also.
If so, then Chnst might be our impression of humanity as a whole.
If we dare to touch such a synthesis of experience it may be seanng, breathtaking.
It breaks the boundaries of our present personality and concepts because it transcends. It shatters us to let the new vision emerge. It reaches, it soars, like an eagle flying above the single events of life. Perhaps because of this the great hawk of ancient Egypt represented the human spirit.
Lastly, humans have always been faced by the impossible.
To a baby, walking and not wetting its pants is impossible, but with many a fall and accident it does the impossible. It is a god in its achievement.
To talk, to fly heavier-than-air planes, to walk on the Moon, were all impossible. Humans challenge the impossible every day. Over and over they fall, back into defeat. Many lie there broken. Yet with the next moment along come youngsters with no more sense than grasshoppers, and because they don’t know what the difference is between right and left, do the impossible. Out of the infinite potential, the great unknown, they draw something new. With hope, with folly, with a wisdom they gain from who knows where, they demand more. And it’s a common everyday son of miracle. Mothers do it constantly for their children—transcending themselves. Lovers go through hell and heaven for each other and flower beyond who they were. You and I grow old on it as our daily bread, yet fail to see how holy it is. And if we turn away from it, it is because it offers no certainties, gives no authority, claims no reward. It is the spiritual life of people on the street. And our dreams remember, even if we fail.
For this is the body and blood of the human spirit.
dream as a therapist and healer There is a long tradition of using dreams as a base for both physical and psychological healing. One of the earliest recorded incidents of such healing is when Pharaoh’s ‘spirit was troubled, and he sent for all the magicians of Egypt and all its wise men; and Pharaoh told them his dream, but there was none who could interpret it’. Then Joseph revealed the meaning of the dream and so the healing of Pharaoh’s troubled mind took place (Genesis 41).
The Greek Temples of Asclepius were devoted to using dreams as a base for healing of body and mind (see dreams and ancient Greece).
The Iroquois Amerindians used a social form of dream therapy also (see Iroquoian dream cult).
The dream process was used much more widely throughout history in such practices as Pentecostal Christianity, shaktipat yoga in India, and Anton Mesmer’s groups (see sleep movements).
Sigmund Freud pioneered the modern approach to the use of dreams in therapy, but many different approaches have developed since his work. Examples of the therapeutic action of gaining insight into dreams are to be found in the entnes on abreaction, recurring dreams, reptiles.
The entry on dream processing gives information about using a dream to gain insight and healing. See also dream as meeting place.
A feature which people who use their dreams as a therapeutic tool mention again and again is how dreams empower them. Many of us have an unconscious feeling that any important healing work regarding our body and mind can only be undertaken and directed by an expert, the expert might be a doctor, a psychiatrist, psychotherapist, or osteopath. Witnessing the result of their own dream process, even if helped by an expert, people feel in touch with a wonderful internal process which is working actively for their own good. One woman, who had worked on her dream with the help of a fnend (non expert), said It gave me great confidence in my own internal process. I realised there was something powerful in myself working for my own good. It was a feeling of cooperating with life.’ One is frequently amazed by one’s own resources of wisdom, penetrating insight and sense of connection with life, as met in dreamwork. This is how dreams play a pan in helping one towards wholeness and balance.
The growing awareness of one’s central view of things, which is so wide, piercing and often humorous, brings developing self respect as the saga of one’s dreams unfolds.
There may be no hint of this, however, if a person simply records their dreams without attempting to find a deeply felt contact with their contents. It is in the searching for associated feelings and ideas that the work of integrating the many strands of one’s life begins. Gradually one weaves, through a co-operative action with the dream process, a greater unification of the dark and the light, the painful and transcendent in one’s nature.
The result is an extraordinary process of education. ... A Guide to Dreams and Sleep Experiences
If we are the active and central character in our dreams, then we have a positive, confident image of ourself.
The role we place ourself in is also the one we feel at home with, or one which is habitual to us.
If we are constantly a victim in our dreams, we need to consider whether we are living such a role in everyday life. Dreams may help us look at our self image from a more detached viewpoint. We can look back on what we do in a dream more easily than we can on our everyday waking behaviour. This helps us understand our attitudes or stance, a very growth-promoting experience. It is important to understand the viewpoint of the other dream characters also; although they depict secondary views, they enlarge us through acquaintance. See identity and dreams.
What we ourself are doing in our dreams is an expression of how we see ourselves at the time of the dream, our stance or attitude to life, or what could be generalised as our self image. It typifies what aspects of our nature we identify with most strongly.
Example: My husband and I are at some sort of social club.
The people there are ex-workmates of mine and I am having a wonderful time and am very popular. My husband is enjoying my enjoyment’ (quoted from article by the author in She magazine).
The dreamer describes herself as ‘a mature 41- year old’.
The dream, and her description of it, sum up her image of herself in just a few words. She sees herself as attractive, sociable, liked, happily married. She is probably good looking and healthy. But the dream carries on. She and her husband ‘are travelling down a country lane in an open horse drawn carriage. It is very dark and is in the areas we used to live. We come to a hump-backed bridge, and as we amve at the brow of the bridge a voice says, “Fair lady, come to me.” My body is suddenly lying flat and starts to rise. I float and everything is black, warm and peaceful. Then great fear comes over me and I cry out my husband’s name over and over. I get colder and slip in and out of the blackness. I wake. Even with the light on I feel the presence of great evil. From a very positive sense of self, she has moved to a feeling which horrifies her. How can such a confident, socially capable woman, one who has succeeded professionally as well as in her marriage, have such feelings? The answer probably lies in the statement of her age. At 41 she is facing the menopause and great physical change.
The image of herself she has lived with depended, or developed out of, having a firm sexually attractive body, and being capable of having children. Losing whatever it is that makes one sexually desirable must change the image others have of one, and that one has of oneself.
The hump of the bridge represents this peak of her life, from whence she will start to go downhill towards death, certainly towards retirement. So she is facing midlife crisis in which a new image of herself will need to be forged.
To define what self image is portrayed in your dreams, consider just what situation you have created for yourself in the dream, and what environment and people you are with. Example: I am a shy 16 year old and am worried about my dream. In it I am walking along the school’s main corridor. I try to cover myself with my hands as a few pei pie go by, not noticing me. Then a group of boys pass, pointing and laughing at me—one boy I used to fancy.
A teacher then gives me clothes. They are too big but I wear them because I have nothing else’ (HM). Adolescence is a time of great change anyway, when a lot is developing as far as self image is concerned. Her nakedness shows how vulnerable she feels, and how she has a fear that other people must be able to see her developing sexuality and womanhood. It is new to her and still embarrassing, particularly with boys she feels something for. She tries to cover up her feelings, and uses attitudes she has learnt from parents and teachers, but these are not suitable. So we might summarise by saying that the situation she places herself in within the dream shows her present uncertainty and sense of needing clothes—attitudes or confidence —of her own. See identity in dreams; individuation. ... A Guide to Dreams and Sleep Experiences
A sudden increase in personal energy. Look to see what the source of power is for further insight.
The driving force within the dreamer. Where the electricity originates should shed more light on the meanings here.
Being a “live wire” or knowing someone who fits this description.
The counsel here is to maintain a good sense of grounding so that the energy doesn’t go to waste or become harmful.... The Language of Dreams
Depth Psychology: The female goat is a symbol of patience, modesty, amiability, and the ability to resolve challenging situations without difficulty.
The goat—as the sacrificial lamb—is also a sign of the sacrifices you have made in your life. Which description—modesty or martyrdom—fits your present situation?
See Billy Goat. ... Dreamers Dictionary
Your dream and its symbols speak through the language of dream symbolism. Although that language shares similarities across dreamers, each dreamer’s subconscious mind speaks in its own personal “dialect” of dream symbolism. So in this book you’ll learn about the “standard” language of dream symbols (to the extent that there is a standard one), plus you’ll learn how to decipher your own subconscious mind’s personal symbol meanings (your personal “dialect”). The following three sections introduce the primary considerations about personal dream symbol translation to keep in mind as you explore the symbol descriptions in this book.”
TOOL: Dream Dictionary
1. “Choose a symbol from your dream that you want to explore, perhaps the one that stood out the most.
2. Find that symbol in the dream dictionary and consider the possible meanings listed. Notice which (if any) resonate with you intuitively.
3. While keeping the dictionary meanings in mind, consider:
Personal meaning: What the dream symbol means to you, what it brings to mind for you, and feelings it triggers within you.
Because dream symbol meaning is subjective and personal to the dreamer, consider what the symbol means to you personally. To help yourself better understand its personal meaning, you could ask yourself:
What thoughts and feelings come up when I think of this thing?
How would I describe this thing to someone who has never seen it before?
TOOL: Caveman Explanation
The following technique can help you to deep-dive into the meanings that your subconscious mind associates with the symbol:
1. Choose a symbol from your dream, and imagine that you are explaining what it is to someone who is not familiar with it—such as a caveman, young child, or alien from another planet. The person has no idea what the thing is, how it works, what it does, what it’s known for, or anything else about it. Start from the beginning with the most basic explanation.
2. Write the meanings that you used to explain the symbol.
3. Consider which meaning resonates intuitively with you as the meaning of your dream symbol, or which meaning relates to a matter that you’ve experienced in your real life or that’s been on your mind.
• How would I feel about this thing if I actually saw it in real life?
• What would I say if someone asked for my impression of this thing?”
Context: How the dream symbol appears in the dream. For example, in a dream about a bird, consider what the bird was doing, how and where it was doing it, and how you felt about that. (See more in Context.)
A dream symbol’s meaning can be very specific to its context in the dream. So, think about how the symbol appeared in the dream and what that may convey about its meaning. For example, pay attention to:
· Where was the object?
· Was there anything unusual about its location or position?
· What was it near or surrounded by (objects, people, etc.)?
· What was its environment (indoor or outdoor, lighting, mood, weather, etc.)?
· (If an inanimate object) What was happening to it?
· (If a living being) What was it doing, how, where, and with whom?
· How were the characters (including you) viewing or relating to it?
· How did you feel about all of the above?”
Look beyond the obvious: A dream is often about something other than its obvious meaning. For example, physical events in the dream can represent mental or emotional matters.
A dream symbol often represents something beyond its obvious meaning. A rose could represent a real-life rose, but it’s much more likely to represent something else more symbolic (such as a feeling, characteristic, or event). So look beyond your symbol’s literal meaning by asking yourself, “What else could this symbol mean?”
4. Using what you discovered in Step 2 and Step 3, explore what the symbol represents on some level of your real life physical, emotional, mental, spiritual, and so on. If a particular dictionary meaning resonated with you, explore it further by looking for more clues in the dream that point to something parallel in your real life.
5. Write your conclusions about the symbol’s meaning in your dream journal, along with any other realizations about the dream.”...
If you dream that your parents are getting divorced, you may be expressing your real life concerns and worries about your folks.
For more detailed descriptions, also see “Mother” and “Father”.... My Dream Interpretation
• Some common interpretations for perfume are: Our praise to the Lord, being beautified, being prepared, being honored and being cleansed.
• Perfume changes your emotions and causes you to be drawn to it. It can be a pleasant experience, or it can speak of being caught in a trap.
• Referring to how perfume lifts the emotions: • Proverbs 27:9 Ointment and perfume rejoice the heart: so [does] the sweetness of a man’s friend by hearty counsel.
• Dreams • Positive: A bride was prepared with oils and perfume to prepare her for her wedding night. Esther is a good example of this.
• This speaks of the Bride of Christ being prepared and made ready for her Groom. It speaks of her falling in love with her Groom - which is Jesus Christ.
• The Scriptures also speak of our praise being as incense before the Lord; that it is a pleasing smell before Him.
• Incense was offered before the Lord twenty-four hours a day under the Old Covenant. Our incense is our praise and worship.
• Speaking of the Love of Bride and Groom • Song of Solomon 4:10 How beautiful is your love, my beloved, [my] bride! how much better is your love than wine! and the fragrance of your perfume than all spices! • As believers we also diffuse the perfume of Christ everywhere we go - or we should anyway! • Because of the indwelling of the Holy Spirit, as we go through this world, we carry that treasure inside of us.
• It is just like wearing perfume. Everyone that passes you should be effected by it. I give a good description of this in the Practical Prophetic Ministry book when teaching on the ministry of the prophet.
• 2 Corinthians 2:14 Now thanks [be] to God, which always causes us to triumph in Christ, and makes manifest the savor of his knowledge by us in every place.
The Scripture also speaks of the perfume of the harlot and adulteress.
• It speaks of being captured and seduced into the things of the world; of being deceived into thinking that you are being offered something good, when in fact it is false and full of sin.
• Speaking of the harlot (world) that seduces; a love that is false and empty: • Proverbs 7:171 have perfumed my bed with myrrh, aloes, and cinnamon.
• 18 Come, let us take our fill of love until the morning: let us solace ourselves with loves.
• 22 He goes after her immediately as an ox goes to the slaughter, or as a fool to the correction of the stocks
Aloes, Honey, Oil.... The Way of Dreams and Visions
The apparently intuitive information in some dreams, when investigated, can be traced to an unconscious insight into the language of the living body. We all have this ability to understand body language, but it seems to be something which is inherited from past times before verbal language. It therefore remains a largely unconscious ability. In our dreams, however, it is a major factor in how the dream is structured.
If you cannot find a satisfying description below, imagine yourself making the movement or posture in the dream to see if you can define what the feeling quality is, or what you are saying non-verbally. It can often be of value to make the movement or take up the posture physically instead of in the imagination. By comparing the movement/posture with another one, it can help to clarify its quality.
Example: Marilyn was expenencing emotional pain connected with her impending divorce. Marilyn had dreamt of seeing a dinosaur standing in her path, devounng all who approached it. We explored it by having Marilyn find a body posture and movements which for her expressed the feeling of the dinosaur. In doing so Marilyn did not sense anger or aggression, but she did feel like a predator which always had to take to gain her own needs. This feeling immediately reminded her of her family life as a child. She remembered when she was sent shopping as a very young child of three or four; as well as buying what she had been asked, she purchased some sweets for herself. When she arrived home she was treated as if she had done a terrible thing, and that was where she began to feel like a predator. It seemed to her as if her own needs were always gained at the expense of someone else.
‘With this awareness, she could now see that the dinosaur standing iti her path clearly related to her present situation. Bargaining to gain a realistic share of the house and property jointly owned by her husband and herself, felt to her as if she were gaining her needs at his expense, like a predator. That made her feel so awful, she was almost ready to allow her husband to take all, leaving her without house or money to start again. Her awareness of where the feelings arose from, and the unrealistic pan they played in her life, allowed her to relate to the situation with less pain and more wisdom’ (from Mind and Movement, Tony Crisp). ... A Guide to Dreams and Sleep Experiences
A woman who dreams of putting on rubber garments or elastic garters should be warned against listening to the gossip of her neighbors.... The Complete Dream Book
Example: ‘On a hot summer day I was walking with a beautiful black woman through countryside. She stopped and told me she had a problem.
To show me she pulled down the strap of her dress. On her shoulder the black skin was peeling to reveal golden white skin underneath. She said that if she kept seeing me she would become completely white. She was going to ask advice from her mother about what to do. As we walked on two black men fought with me. They wanted to take her back to the village. I woke feeling I was winning’ (paraphrased from The Way of The Dream, Fraser Boa). Here the dreamer is relating well to his own feelings of sexuality and sensuality. However, he is beginning to see a female partner as a real person, not just as his sexuality paints her. Also, the reference to seeking advice from the mother suggests his ability to love is still not freed from emotional and erotic connections with his mother, and needs transforming. One often hears people, even in their 40s, saying It is difficult (developing a relationship) with that person because my mother doesn’t like them.’ The dreamer ‘fights’ the opposing drives, which want to take the man’s love back to the village, his childhood level of love—thus he moves towards becoming independent in love and life.
The transformation is towards mature love and relatedness.
For a further description of the major areas and themes of transformation, see individuation. ... A Guide to Dreams and Sleep Experiences
The sky was vivid pink and a peculiar aeroplane flew over. It was the shape of a cross’ (Mrs A).
The circle, the light, the shape of the cross and the big man, are all symbols of the Self. Our mind has the ability to view our experience as a whole, rather than in pans. What we sense unconsciously in this way is presented to the conscious mind as images such as UFOs or circles of light.
The ball of light or fire, this is a common waking experience as well as a dream image, which occurs when the person touches their sense of wholeness as described above. We see this mentioned in the description of Pentecost—the flame on top of the head—and may account for cases of people seeing flying saucers. See hallucinations, hallucinogens; satellite; dream as spiritual guide; unconscious. ... A Guide to Dreams and Sleep Experiences
Example: I realised T had been in Bill’s room and not respected his need for privacy, so Bill had tom down the wall as a protest and made the room, which now appeared about four times its usual size, into a public sitting room’ (Cyril A). Sometimes what the wall depicts is obvious, as in the example, where it is shown as the way Cyril maintains his separation from others and thus is a private individual.
The fall of the wall shows how exposed’ one might be.
The description of private areas of our life in a newspaper might be an example of just such a wall coming down. Idioms: drive up the wall; go to the wall; writing on the wall; back to the wall; knock one’s head against a wall. See wall, fence. ... A Guide to Dreams and Sleep Experiences
The word witch is usually used to describe a mean and heartless person, and in your dream you may be making associations in regard to yourself or someone else that fits that description.
A witch could also represent power, magic, and goodness. “White magic” is as popular and culturally significant as darker witchcraft. However, whether good or evil, the witch always tries to defy natural law and uses a short cut to accomplish a task. Ask yourself questions about the general message in the dream; is it about revealing negative characteristics or about solving your problems and getting what you want out of life by using shortcuts? The most positive connotation of this dream could be that it encourages you to solve difficulties by using creativity and intuition and brings you closer to finding powerful and magical parts of yourself.... The Bedside Dream Dictionary